Acid rock
Sung. Melodic singing throughout.
In short
The heavy end of psychedelia: raw distortion and endless jams. Blue Cheer is often named the first genuinely heavy band.
How it sounds
- Massive distortion for the era, at the limit of what amplifiers could take.
- Long solos with wah-wah and controlled feedback.
- Slow to medium tempos with heavy drums up front.
Hear what that means
- The jam as the record
Twenty-three minutes recorded at a concert, because that is where the music happened. Psychedelia's records could not be played live; this one could not be made any other way.
Open on YouTube - Feedback as a sustained note from 70:30
Jimi Hendrix - Electric Ladyland
Wah as a filter rather than an effect, and feedback held and shaped. Volume is the enabling condition - none of this works quietly.
Open on YouTube at 70:30 - Where it turns into metal from 19:13
Iron Butterfly - In-A-Gadda-Da-Vida
Seventeen minutes on one riff with a drum solo in the middle. Point the same volume at heaviness instead of transcendence and you have proto-metal.
Open on YouTube at 19:13
Loaded only when you press play — nothing reaches Google before that. 2 of 3 are cued to a second read from the upload's own tracklist.
The specifics
- Tempo
- 90-140 bpm
- Song length
- 5-20 min
- Tuning
- E standard through fuzz, with the guitar loud enough that feedback is available on demand rather than by accident.
- Production
- Loud and live, frequently recorded at a concert because the extended improvisation is the music. Studio versions of these songs are usually the lesser document.
- Written about
- Drugs, directly, Transcendence, Apocalypse, Very little, at length
What each part is doing
- Guitar Extended improvisation over one or two chords, with feedback held as a sustained note and the wah pedal used as a filter rather than as an effect. Volume is the enabling condition — none of this works quietly.
- Bass Melodic and roaming rather than anchoring, because the guitar has abandoned the changes and somebody has to imply them.
- Drums Jazz-schooled and conversational, following the soloist rather than keeping time for them. The long pieces work or fail on this.
- Organ Frequently the second solo voice, through a rotating speaker, trading with the guitar across passages that can run twenty minutes.
What it isn't
That it is simply psychedelia played louder. The structural difference is where the music happens. Psychedelic records are studio constructions — the Beatles could not perform theirs — and acid rock records are documents of a room, which is why the canonical Grateful Dead album is a live one. Two genres from the same year with opposite ideas about what a recording is for.
Told apart from
- Psychedelic rock Psychedelia is built in the studio out of songs; acid rock is built on stage out of jams. The tell is whether the record could be reproduced live.
- Proto-metal Blue Cheer appear on both lists. Acid rock's volume aimed at transcendence becomes proto-metal when it is aimed at heaviness instead.
- Space rock Space rock takes the same stasis toward electronics and repetition rather than toward blues improvisation.
- Blues rock The material is largely the same and the intent is not: blues rock solos within a form, acid rock leaves the form behind entirely.
The genres this one is most often mistaken for. Written, not derived.
History
Blue Cheer played so loud in 1968 that engineers refused sessions; their version of Summertime Blues is often named the first genuinely metal recording. Iron Butterfly released a seventeen-minute song that sold millions. Acid rock is the concrete link between psychedelia and heavy metal.
Descended from
Siblings on this branch
Sounds like this, elsewhere in the tree
- Deathrock 1.4 apart by rating · meets it at Rock
- Desert rock 1.4 apart by rating · meets it at Rock
Closest by the three ratings, among genres at least 4 steps away in the tree. A rating match is not a musical claim.