Death-doom
Growled or shrieked. Unintelligible without a lyric sheet. The thing most newcomers bounce off.
In short
Guttural vocals at funeral tempo. Bands from Yorkshire invented the combination and then invented gothic metal too.
How it sounds
- Very slow tempos with long riffs and sustained chords.
- Guttural vocals over minor harmony, sometimes with violin or keyboards.
- Eight- to twelve-minute songs with slow dynamics and oppressive atmosphere.
Hear what that means
- Room for melody from 23:44
My Dying Bride - Turn Loose the Swans
A violin carrying a lead line above death metal riffing at 60 bpm. The slow tempo is what creates the space the genre fills.
Open on YouTube at 23:44 - The growl over something mournful
A death growl and a female clean voice on the same track in 1991. This record is the origin of two genres at once.
Open on YouTube - Weight without speed from 6:00
Tuned low, played slowly, and recorded to crush. The American wing kept the bleakness and left the violins out.
Open on YouTube at 6:00
Loaded only when you press play — nothing reaches Google before that. 2 of 3 are cued to a second read from the upload's own tracklist.
The specifics
- Tempo
- 50-90 bpm
- Song length
- 6-10 min
- Tuning
- B or C standard on heavy strings, tuned for weight rather than for speed, with clean guitars and keyboards used as contrast.
- Production
- Cavernous and slow, with real dynamic range. These records are quiet in places, which death metal proper almost never is.
- Written about
- Grief, Romantic despair, Mortality, Religion, mournfully
What each part is doing
- Guitar Death metal's tuning and riffing at doom's tempo, with the notes given time to decay. Melody arrives because there is room for it.
- Violin or keyboard A lead melodic voice above the guitars, which is what separates the English wing of this genre from everything around it.
- Bass Following the guitars for weight, and stepping forward in the clean passages where the guitars drop out entirely.
- Vocals A death growl over slow, melodic music — the collision the genre is built on — often alternating with clean singing or spoken word.
What it isn't
That it is death metal played slowly. The tempo brings a consequence the genre is actually about: at 60 bpm there is room for melody, and these bands filled it with violins, keyboards and clean singing that death metal had no space for. The growl stayed and almost everything else changed, which is why gothic metal and doom-adjacent extreme metal both descend from here.
Told apart from
- Doom metal Doom sings cleanly and comes from Sabbath. Death-doom growls and comes from death metal, and arrives at the same tempo from the other direction.
- Funeral doom Funeral doom halves this tempo again and removes the melody, leaving chord changes minutes apart.
- Gothic metal Gothic metal grew directly out of these same bands and added keyboards, a second sung voice and romance. Paradise Lost's Gothic is on both lists for a reason.
- Sludge metal Sludge shares the tempo and screams rather than growls, and it is furious where this is mournful.
The genres this one is most often mistaken for. Written, not derived.
History
In the north of England in the early 1990s, three bands from the same area — Paradise Lost, My Dying Bride and Anathema — near-simultaneously invented the combination of death metal weight and doom slowness. Peaceville Records released all three, hence the nickname 'the Peaceville Three'. All of them later evolved in completely different directions.
Descended from
Siblings on this branch
- Blackened death metal
- Brutal death metal
- Deathcore
- Deathgrind
- Death 'n' roll
- Melodic death metal
- Old school death metal
- Technical death metal
Sounds like this, elsewhere in the tree
- Stoner doom 1.4 apart by rating · meets it at Heavy metal
- Post-metal / atmospheric sludge 2.2 apart by rating · meets it at Heavy metal
Closest by the three ratings, among genres at least 4 steps away in the tree. A rating match is not a musical claim.